(23 May 1838 - 10 December 1932) was a Norwegian painter. He was born in Halse as a son of shipmaster and merchant Niels Clemetsen Nielsen (1795 - 1845) and his wife Andrea Marie Møller (1802 - 1866). He grew up in Mandal in Vest-Agder county, Norway. He lived most of his childhood and adolescence without a father. He received some tuition from a traveling drawing teacher and traveled to Copenhagen to study in 1854   Related Paintings of Amaldus Clarin Nielsen :. | Battle of Kringen | Morgen ved Ny-Hellesund | Hellesund | Kveld ved sjoen | Norveg tengerpart |
Related Artists:
Helen Thomas Dranga
Helen Thomas Dranga (1866-1940), who is also known as Carrie Helen Dranga, was a painter who was born Carrie Helen Tufts in Oxford, England. She lived in Oakland, California from 1894 until 1900, when she moved to Hilo, Hawaii. Her paintings regularly appeared on the cover of Paradise of the Pacific magazine in the 1920s and 1930s. She lived in Hilo until shortly before her death in 1940. The Honolulu Academy of Arts and the Lyman House Memorial Museum (Hilo, Hawaii) are among the public collections holding works by Helen Thomas Dranga
Eugen Ducker
was a romanticist Baltic German painter. He was born in Kuressaare, Estonia, on 29 January 1841 in the Julian calendar (10 February 1841 according to the Gregorian calendar) and died on 6 December 1916 in Dusseldorf, where he developed almost all his career. A notable student of his was the Norwegian landscape painter Adelsteen Normann who studied with Ducker from 1869 to 1872.
Abraham Govaerts
Abraham Govaerts (Antwerp, 1589 - 9 September 1626) was a Flemish Baroque painter who specialized in small cabinet-sized forest landscapes in the manner of Jan Brueghel the Elder and Gillis van Coninxloo.[1] He became a master in Antwerp's guild of St. Luke in 1607-1608, and subsequently trained several other painters in including Alexander Keirincx. Govaerts' paintings, such as A Forest View with the Sacrifice of Isaac (Alte Pinakothek, Munich), typically show diminutive history, mythological or biblical subjects within a Mannerist three-color universal landscape bracketed by repoussoir trees. The figures were often added by other artists, especially by members of the Francken family.